Today I had a somewhat unusual day. Perhaps the strangest part was attending a lecture were the tutor exclaimed with vigor, the phrase 'anal fisting'. This was promptly followed by the waving of his fist in the air. An accurate visual representation for those of us who may have been unsure of what a fist looked like.
Out of context this may shock and, or appall some of my fictional readership. I imagine a fusty old dear reading this with her spectacles balanced precariously on the edge of her age enhanced schnozz, gasping in sheer terror and abhorrence at the awful phrase I have introduced to her. The rest of my fictional readership consists of young desensitized delinquents like myself who have far better things to be doing that ranting on about arse hands.
Anyway I digress.
This wasn't an uninhibited vocalization of a god sickening expression. There was some arguably educational context involved, which is why this post is for the benefit of my memory and not for the likes of you Deidre.
The topic of discussion for today's seminar was Bret Easton Ellis' Less Than Zero, a somewhat harrowing remark on the sheer godless, narcissistic, brat factory known commonly as LA. Written in the 1980s during a period of economic prosperity, the novel immerses the reader into the world of Clay, the 18 year old son of a movie producer who is struggling to cope in an arid world of androgynous people and perpetual monotony.
The book contains progressively more graphic scenes culminating in rape and pedophilia. All in all not the most cheerful of books but it's debatably a snapshot into a 'real' existence for some people out there. Pretty much all the characters live in a bubble on the cusp of being burst. They have to continue living out their self indulgent, present orientated lifestyles to either success or self destruction. Trapped in a superficial world the characters dare not challenge the ideologies they have been contained by their entire lives. Their social standing and representation is all they have to hold onto, if they were to abandon this they would be lost in a world with no tangible connections to anything else.
Out of context this may shock and, or appall some of my fictional readership. I imagine a fusty old dear reading this with her spectacles balanced precariously on the edge of her age enhanced schnozz, gasping in sheer terror and abhorrence at the awful phrase I have introduced to her. The rest of my fictional readership consists of young desensitized delinquents like myself who have far better things to be doing that ranting on about arse hands.
Anyway I digress.
This wasn't an uninhibited vocalization of a god sickening expression. There was some arguably educational context involved, which is why this post is for the benefit of my memory and not for the likes of you Deidre.
The topic of discussion for today's seminar was Bret Easton Ellis' Less Than Zero, a somewhat harrowing remark on the sheer godless, narcissistic, brat factory known commonly as LA. Written in the 1980s during a period of economic prosperity, the novel immerses the reader into the world of Clay, the 18 year old son of a movie producer who is struggling to cope in an arid world of androgynous people and perpetual monotony.
The book contains progressively more graphic scenes culminating in rape and pedophilia. All in all not the most cheerful of books but it's debatably a snapshot into a 'real' existence for some people out there. Pretty much all the characters live in a bubble on the cusp of being burst. They have to continue living out their self indulgent, present orientated lifestyles to either success or self destruction. Trapped in a superficial world the characters dare not challenge the ideologies they have been contained by their entire lives. Their social standing and representation is all they have to hold onto, if they were to abandon this they would be lost in a world with no tangible connections to anything else.
Contained in the opening line the overriding theme is that the characters are 'afraid to merge'. No one dares to be real, yet they often seek out exploits and activities that may create the illusion of being real, to perhaps elevate their own social standings.
Discussing these ideas and more (which I have forgotten) really got my synapses firing. At the moment I'm deliberating on what I'd like to do a research based masters on and this post-modern mediated Orwellian dystopia we call the present is an appealing topic.
The media puts these LA high-flying 'elites' on pedestals, they have the world at their finger tips. They have more wealth than they could ever spend, access to all the material possessions and it's fucking awful. They can no longer be part of anything 'real' and significant (not like the rest of us really can either). Concerned with impressing the world and their peers they become commoditised, expected to look a certain way, own certain objects, say certain things, associate with certain people. Like androids their lives are dictated by others and they can't really escape.
Discussing these ideas and more (which I have forgotten) really got my synapses firing. At the moment I'm deliberating on what I'd like to do a research based masters on and this post-modern mediated Orwellian dystopia we call the present is an appealing topic.
The media puts these LA high-flying 'elites' on pedestals, they have the world at their finger tips. They have more wealth than they could ever spend, access to all the material possessions and it's fucking awful. They can no longer be part of anything 'real' and significant (not like the rest of us really can either). Concerned with impressing the world and their peers they become commoditised, expected to look a certain way, own certain objects, say certain things, associate with certain people. Like androids their lives are dictated by others and they can't really escape.
A handout we were given today contained an extract by Terry Eagleton 'In this social order, then, you can no longer have bohemian rebels or revolutionary avant-gardes because they no longer have anything to blow up'
Their can no longer be hippy movements or punk movements, it'd be a futile attempt to escape a system that can't be escaped from. The world sees everything, then adopts and commoditises it. An escapist culture trying to abandon these concerns is doomed to be consumed.
Well to tie this up I'll explain how 'anal fisting' made it's appearance in the debates that raged today. Our tutor asked the class whether we had heard a song named 'Stink Fist' by 'Tool'. One of two people claimed they listened to Tool but no one knew the song.
To enlighten us all of the beauty and majesty of this track, David (I think is our tutors name, he's new so I'm not sure) decided to put the song on, complete with on screen lyrics. In his defense it was relevant to what we were discussing. It had lyrics like 'constant over stimulation numbs me' but then it takes a dark turn when the singer describes the intrusion of 'the borderline'. He starts off slow but eventually, the lovely lady who had the pleasure of being the subject of this poetic ballad evidently gets used to these minor intrusions and ends up with an arm inside her.
Pleasant stuff.
Afterwards David asked the class if they picked up on the (subtle) metaphors. I'm pretty sure everyone did, I mean the song was called Stink fist I had my reservations from the get go. However no one was brave enough to utter the words 'anal fisting' which resulted in David's announcement and performance.
Welcome to the desert of the real.
Well to tie this up I'll explain how 'anal fisting' made it's appearance in the debates that raged today. Our tutor asked the class whether we had heard a song named 'Stink Fist' by 'Tool'. One of two people claimed they listened to Tool but no one knew the song.
To enlighten us all of the beauty and majesty of this track, David (I think is our tutors name, he's new so I'm not sure) decided to put the song on, complete with on screen lyrics. In his defense it was relevant to what we were discussing. It had lyrics like 'constant over stimulation numbs me' but then it takes a dark turn when the singer describes the intrusion of 'the borderline'. He starts off slow but eventually, the lovely lady who had the pleasure of being the subject of this poetic ballad evidently gets used to these minor intrusions and ends up with an arm inside her.
Pleasant stuff.
Afterwards David asked the class if they picked up on the (subtle) metaphors. I'm pretty sure everyone did, I mean the song was called Stink fist I had my reservations from the get go. However no one was brave enough to utter the words 'anal fisting' which resulted in David's announcement and performance.
Welcome to the desert of the real.